Inversions of Triads

Inversions

Let's take a look at a C major triad. The examples shown here are all C major triads. What is different among them is the order of the notes.

Example of C major triads

From the left to right, these chords are called a root position, 1st inversion, and 2nd inversion.

Root position

Root position is when the bass of the chord is the same note as the name of the chord. For instance, it is in the root position when the bass of a C major chord is a C, or the bass of a D minor chord is a D.

Root position intervals

When in root position, the intervals from the bottom to the top is: 3rd + 3rd. The root position makes a chord sound most stable.

Example of a root position

1st inversion

When you move the bass note of a chord in a root position up by an octave, the chord now is in 1st version.

From root position to 1st inversion

When in 1st inversion, the intervals from the bottom to the top note are: 3rd + 4th. The 1st inversion makes the chord sound a little lighter.

Example of 1st inversion of a triad

Here are some examples of chords in 1st position.

1st inversion intervals

2nd inversion

Move the bottom 2 notes in a root position up an octave, and we get a chord in a 2nd inversion.

From root position to 1st inversion

When in 2nd inversion, the intervals from the bottom to the top note are: 4th + 3rd.

Examples of 2nd inversion of a triad

There are specific rules when you can use the 2nd inversion, such as in a cadence, passing chord, before a cadenza in a concerto, etc. We will not go into details here but for now you want to know that it is a bad idea to throw around 2nd inversion chords everywhere in a composition.

Here are some examples of chords in 2nd inversion.

2nd inversion intervals

Why is this important?

Why do we care so much about the order of the notes? After all they are the same chord, they are going to sound all the same, right?

Well, yes and no. Yes, they are going to sound pretty similar; C major chord will always sound like a C major, and never like a D minor chord no matter what inversion it is in. However, there is a subtle difference in tonality between the root position and inversions.

Examples of the root position

There are endless examples of a chord in root position. The root position is the most stable state of a chord.

Beethoven: Violin Sonata No.5, 1st movement
Example from the Spring sonata by Beethoven
Brahms: Quartet No.2, 4th movement
Example from Quartet No.2 by Brahms

Examples of 1st inversion

1st inversion of a chord gives a lighter feel, and adds a certain color to the music. Here are some examples of 1st inversion chords.

Fauré: Piano Quartet No.1, 3rd movement. 1st inversion chords are in measure 2, 4, 7, and 8.
Example of 1st inversion chord from Faure Piano Quartet No.1
Mozart: Violin Concerto No.4, 2nd movement (3rd and 4th measures)
1st inversion example from Mozart Concerto No.4
Mozart: Violin Concerto No.4, 2nd movement. 1st inversion is in the 2nd measure.
1st inversion example from Mozart Concerto No.4
Mozart: Violin Concerto No.4, 2nd movement. 1st inversion is in the 2nd measure.
1st inversion example from Mozart Concerto No.4

Examples of 2nd inversion

2nd inversion of chords are often seen in a cadence of a phrase, and right before a Cadenza of concerti. Here are some examples of 2nd inversion chords.

Schubert: Fantasy in C major
Example of cadential 6-4 by Schubert
Beethoven: Violin Concerto, 1st movement, before Cadenza. The last chord is in 2nd inversion.
Beethoven Violin Concerto before Cadenza
Chausson: Poème. 2nd inversion is in the 3rd measure.
Example of 2nd inversion chord in Chausson Poeme.